The sound waves

Recently we had a listen to the all-analog lp Steve Wilson Sit Back, Relax & Unwind with Mr. Wilson himself.  It was the first time he experienced listening to it on vinyl (as opposed to the tape playbacks at recording session).  He said it was the first time he ever liked hearing himself play on one of his recordings.  He also said it made him feel like he was a kid again listening to music at his parents’ house. The experience got us back to the drawing board of trying to describe what is so special about non-digital recordings.  Here goes : on all analog the sound waves coming out of the speakers produce a vibration which causes a slight physical sensation in the ears and throughout your whole body which leaves you microscopically but physically moved by the end of an album. No? We will try again in a little while no doubt. In the meantime, listen to the lp and feel the sound waving. 

Hocking lugies

The music we make and the digital media we use are deliberately provocative.  We want you to react and when you do, good, bad, but not indifferent, we have succeeded.  That success is diluted by impurities introduced outside the very tight JMI structure. Even a great financial success would be a failure of the JMI aesthetic if it were achieved in association with people or entities outside JMI. We are constructing a monument to our insularity, like the companies and people we most admire. Thanks for observing our ride but please don’t break our stride. 

Heart of Glass

Philip Glass’ “song” 4’33”, whose chart instructed the musician to not play their instrument for 4 minutes and 33 seconds, is today’s JMI crush.  The intended enjoyment from the performance of the song consisted of listening to audience and ambient noise for 4 minutes and 33 seconds.  This kind of originality,  bravery and dare-we-say challenge of the audience is something for which we strive at the label.  If you think you’re the next Philip Glass we want to record you. 

Jazz A Geddon It

Ray Angry took a giant step toward his rightful place as one of the rising stars of jazz by leading 3 nights at NYC’s Blue Note Club.  Everyone who knows Ray knows he can play with anyone but what we found out last week is that his original compositions stand up and supersede even the best standards and new classics when played live.  And, he’s a super entertainer and leader by example even when thrown in the deep end with the heaviest of jazz heavyweights.    The sky is no limit for Ray and we can’t wait to showcase his JMI lp debut Ray Angry One later this year and promote his live performances celebrating its release.  We promise no more all-star shenanigans, just the world-class quintet which recorded One.  


Although we abhor most traditions we also like to understand how it feels to embrace them so without further adieu here is a list of things we resolve in 2018:

1. Spread as much love and empathy as we can by insuring as many people as possible listen to Steve Wilson Sit Back, Relax & Unwind;

2. Press Ray Angry One;

3.  Record at least one new lp;

and finally 4. Make sure everyone in our lives knows how much we love them and that we understand how imperfect and even maddening we can be but that we are trying our best. JMI: we always try. 


Quincy Jones wrote the theme song to Sanford & Son.  Harry Nilsson wrote the theme song to The Courtship of Eddie’s Father and John Sebastian wrote the theme song to Welcome Back Kotter.  With today’s explosion of high quality television on cable, streaming and even network, there would seem to be a need for equally high quality music.  That’s where we come in.  We’ve got a few choice cuts from Steve Wilson’s Sit Back, Relax & Unwind and Ray Angry One which would fit any project.  You know where to reach us with your inquiries and offers. 

Expect not expectorate

We come now to write about the value of expectations.  When you expect morality, goodness and love you have a better chance of getting them.  If you expect greed, selfishness and hate you have a better chance of getting them too.  Not wanting to expect a lot to prevent disappointment is fear-based cowardice.  Let’s hold each other and ourselves to the highest standards possible.  It’s okay to fail.  It’s not okay not to try.  JMI: why not try?



We love the idea of giving thanks.  We love the idea of a holiday not tied to religion.  We love reuniting with family, blood or chosen.  We don’t love the massacre of sentient beings for unnecessary consumption with bad environmental results. Think for yourselves this holiday;  Apparently our most popular victims will be doing the same.

Sunday morning in mid November

Everyday we keep it spontay.  

Every day we listen to musicay.  

Every day a new record steals our heart.  Every day we make a fresh start. We’re the company that doesn’t sleep.  The company you wanna keep.  The fresh vinyl sound, making the rounds, we find a home then we burrow deep.  

And then there was love

We come now not to criticize but to praise. Praise the best instincts and selfless help others give. Praise the beauty which exists in prosaic moments.  Praise the music which moves us to think, mostly about the impractical, The dreams which may be made real. Click us a line and tell us what you think.  

Hang on tightly, let go lightly

We are pleased to announce that JMI Recordings artist Ray Angry has made a deal for digital release of non-album tracks drawn from the recording session of upcoming JMI lp Ray Angry One. Although we previously discounted digital music experiences as inauthentic and degrading to true music we have had our eyes opened by the spirit and technology of the good folks at Oiids, a Norwegian company with a slick yet heartfelt Nordic approach. Oiids produced the wildly successful Esperanza Spalding project where the gifted musician (aided by Mr. Angry) created a studio album live on video over 77 consecutive hours.  The good Nords then introduced us to their application which will allow users to isolate individual elements of recordings and unique additional content which more than makes up for the lack of analog humanity. Full disclosure : the owners of this label do not see ourselves as big consumers of the Oiids product because of the exclusionary purity of our love for Lps but if digital music is your thing, Oiids is the place and we wish them a ton of success with Ray's cover of Bjork's All is Full of Love with Kendra Foster on vocals and Ray's own composition Gamma Ray, a truncated version of which will appear on Ray Angry One. To paraphrase the Talking Heads, "This ain't no streaming, this ain't no download, this ain't no fooling around". for more info. 

Read More

What's the matter with me

What's the matter with me
I don't have much to say
Daylight sneakin' through the window
And I'm still in this all-night cafe
Walkin' to and fro beneath the moon
Out to where the trucks are rollin' slow
To sit down on this bank of sand
And watch the river flow

Wish I was back in the city
Instead of this old bank of sand
With the sun beating down over the chimney tops
And the one I love so close at hand
If I had wings and I could fly
I know where I would go
But right now I'll just sit here so contentedly
And watch the river flow

People disagreeing on all just about everything, yeah
Makes you stop and all wonder why
Why only yesterday I saw somebody on the street
Who just couldn't help but cry
Oh, this ol' river keeps on rollin', though
No matter what gets in the way and which way the wind does blow
And as long as it does I'll just sit here
And watch the river flow

People disagreeing everywhere you look
Makes you want to stop and read a book
Why only yesterday I saw somebody on the street
That was really shook
But this ol' river keeps on rollin', though
No matter what gets in the way and which way the wind does blow
And as long as it does I'll just sit here
And watch the river flow

Watch the river flow
Watchin' the river flow
Watchin' the river flow
But I'll sit down on this bank of sand
And watch the river flow

All evidence to the contrary

If you're going to get frustrated with lack of recognition your motives aren't pure enough.  Indeed the longer your efforts go unrecognized the longer opportunity you have to test your belief. It is a blessing to test yourself against hatred or even worse, apathy. The greater the illogic and conventional failure of your venture the greater achievement is its persistence.  Have a great day the JMI way, by listening to the music of your heart. 

What's the difference

Today we explore the connection between dishonesty and evil. Are all liars evil? Do some lies even qualify as good? What does any of this have to do with a record company?  If you want answers to those questions stop reading here now and look elsewhere. The only thing we can unequivocally tell you is we will always strive for truth in our products and promotions.  Truth and purity. There is no financial endgame at JMI. We want to follow our collaborative hearts to make the best products we can without regard to whether they'll sell or not and have complete faith that if we do our job and honor our passion our mission is complete. This is not meant as a knock on anyone who takes a different approach. Indeed respect for different opinions is also a core JMI value. We also explicitly acknowledge we may be colossally wrong.  But we know no other way. Or rather we're bad at every other way. Thanks for reading and we'll see you next time. Not literally though this site has no vision. It's a website dummy. 

Willie Jones III

Willie has played, toured, and recorded with Horace SilverRoy HargroveHank JonesCedar Walton, and Herbie Hancock. He played on Arturo Sandoval's Grammy-winning album Hot House (1998).

He released several albums with his group Black Note, whose members have included Ark Sano, Eric Reed, Gilbert Castellanos, James Mahone, Kenneth Crouch, Mark Shelby, and Richard E. Grant.[3]

He is appreciated by jazz musicians for his exceptional speed and control, together with his use of a wide range of textures which characterize most of his playing. He is a master of many styles and moves quickly and easily between be-bop, big band, avante guard, and Latin jazz grooves. He has regularly played with pianist Eric Reed, as the drummer for Wynton MarsalisJazz at Lincoln Center, and has several CDs released as a leader on his own label, playing hard bop and swing.

In 2000, Jones founded an independent jazz label, WJ3 Records.

On top of all this which is lifted from Wikipedia, Willie is one of he supreme gentlemen with whom we have had the pleasure of working.  He is one of those people who does his job with a minimum of fuss, admirable efficiency and incredible intelligence. We can't wait to work with him again and urge you to listen to his work on our Steve Wilson lp Sit Back, Relax & Unwind. 

Process x results + luck = achievement

We live in outcome determinative times.  Most people have fallen prey to the notion that if you don't achieve EVERYTHING you want your process is flawed.  It's that mindset which produces the need for some psychopaths -- we're not naming names -- to claim victory for obvious failures because without victory they believe their efforts were worthless.  The same psychology prevents people from apologizing for bad behavior.  Well here at JMI we subscribe to the opposite philosophy.  Namely as long as your intentions are good and you have integrity you are a success.  We strive to have the highest integrity and gear our process to reflect that.  If we make a mistake we apologize sincerely and quickly.  And we never, ever seek to judge or be judged on anything else.  Peace, love and purity from everyone at JMI.  

embed Block
Add an embed URL or code. Learn more

Bi-Monthly Blues and Jazz

Blues was one of the first genres of recorded American music. It has been said many times that jazz came from blues. But to our mind there has never been an album which successfully integrates the two musics so you can still clearly hear strains of both without losing that unified album feel we love so much. Maybe it's worth it for some label to try again. Maybe take a great blues guitarist who can also play jazz and match him with a great jazz instrumentalist, say a vibraphonist and a great jazz drummer.  Pick a great group of songs and record em right. Hmmmmm.

Eric Harland

Eric is one of the finest musicians in the world.  He plays drums and piano and in addition to his technical ability he has one of the most generous, purely artistic spirits and souls we have encountered. He's constantly traveling, playing in innumerable configurations and when you hear and see him he simultaneously puts his stamp on everything he touches and serves the music like he's got 10 hands.  We were privileged he played drums on our Ray Angry One lp and can't wait for you to hear the results. We need more like him but there aren't many.