Great Debate

There is a high probability that human lives only allot a finite amount of time.  For music fans that time may be roughly divided into two categories: collection and analysis.  Collection may refer to the time spent seeking and acquiring new music.  Analysis may refer to the time spent listening.  The smaller quantity of music to which a person listens, the better that person may appreciate it, picking up new things with repeated listens to the same music, especially music produced with such repetitive listening in mind.  However, the more music a person collects, the more different music a person may learn.  How a music aficionado divides her or his time reveals a lot about the core of their interest in music and even about larger aspects of their personality.  What kind of music fan are you?  What kind of person are you?

Spreading the gospel

Organic chemistry is a subject most people avoid. Except for would-be doctors and science aficionados, no one sees much of a need to know about elements and their combinations which explain life and Inamimate objects. But the effects music can have are a form of organic chemistry. Most music fans are familiar with the changes in mood produced by listening to certain songs or albums, from a simple mood change to a life changing course adjustment. So what is the  organic chemistry which makes up the transformative power of music? 

Oh, you were waiting for a logical, interesting answer? We don’t have one. We don’t know shit about organic chemistry either. Now get outta here knucklehead and go buy a Steve Wilson lp.  Buy it for yourself, for those times you just don’t know what to do. When such a time arises, play the record, hold the jacket and sleeve and read the text and look at the beautiful pictures. Smell the inside of the jacket, that heady mix of cardboard and vinyl. If at the end of the 38 minutes or so you haven’t experienced a change or been entertained email us, we’ll talk. 

Realistic A&R

Back in the days when the record business was profitable based on sales of physical records, labels invested money and time in grooming not only artists, but executives responsible for selecting those artists and the songs, or repertoire they would record. That position has largely gone by the wayside where cutting costs triumphs over long term artistic legacy. Well, as we hope we made clear elsewhere on this site, other internet posts and most of all our recorded output, we value legacy over all. So, we are proud and pleased to announce that we have agreed to hire artist and repertoire representative Robby Alexander Finkelstein. Mr. Finkelstein, a student at Valencia College in Florida, is also a powerful instagram presence with his Rewind Hour and Robtherealest accounts which are part of the Chatting With Suga network started and sanctioned by our own label owner Suga Steve Mandel. As you may see in the thumbnail photo with this post, Rob has a deep background in music production since at least the age of 14, when he believed he needed to use each finger on a different fader of his control desk. Believe us, he’s learned a lot since then. Welcome Rob and we look forward to your first signing.  

The sound waves

Recently we had a listen to the all-analog lp Steve Wilson Sit Back, Relax & Unwind with Mr. Wilson himself.  It was the first time he experienced listening to it on vinyl (as opposed to the tape playbacks at recording session).  He said it was the first time he ever liked hearing himself play on one of his recordings.  He also said it made him feel like he was a kid again listening to music at his parents’ house. The experience got us back to the drawing board of trying to describe what is so special about non-digital recordings.  Here goes : on all analog the sound waves coming out of the speakers produce a vibration which causes a slight physical sensation in the ears and throughout your whole body which leaves you microscopically but physically moved by the end of an album. No? We will try again in a little while no doubt. In the meantime, listen to the lp and feel the sound waving. 

Hocking lugies

The music we make and the digital media we use are deliberately provocative.  We want you to react and when you do, good, bad, but not indifferent, we have succeeded.  That success is diluted by impurities introduced outside the very tight JMI structure. Even a great financial success would be a failure of the JMI aesthetic if it were achieved in association with people or entities outside JMI. We are constructing a monument to our insularity, like the companies and people we most admire. Thanks for observing our ride but please don’t break our stride. 

Heart of Glass

Philip Glass’ “song” 4’33”, whose chart instructed the musician to not play their instrument for 4 minutes and 33 seconds, is today’s JMI crush.  The intended enjoyment from the performance of the song consisted of listening to audience and ambient noise for 4 minutes and 33 seconds.  This kind of originality,  bravery and dare-we-say challenge of the audience is something for which we strive at the label.  If you think you’re the next Philip Glass we want to record you. 

Jazz A Geddon It

Ray Angry took a giant step toward his rightful place as one of the rising stars of jazz by leading 3 nights at NYC’s Blue Note Club.  Everyone who knows Ray knows he can play with anyone but what we found out last week is that his original compositions stand up and supersede even the best standards and new classics when played live.  And, he’s a super entertainer and leader by example even when thrown in the deep end with the heaviest of jazz heavyweights.    The sky is no limit for Ray and we can’t wait to showcase his JMI lp debut Ray Angry One later this year and promote his live performances celebrating its release.  We promise no more all-star shenanigans, just the world-class quintet which recorded One.  


Although we abhor most traditions we also like to understand how it feels to embrace them so without further adieu here is a list of things we resolve in 2018:

1. Spread as much love and empathy as we can by insuring as many people as possible listen to Steve Wilson Sit Back, Relax & Unwind;

2. Press Ray Angry One;

3.  Record at least one new lp;

and finally 4. Make sure everyone in our lives knows how much we love them and that we understand how imperfect and even maddening we can be but that we are trying our best. JMI: we always try. 


Quincy Jones wrote the theme song to Sanford & Son.  Harry Nilsson wrote the theme song to The Courtship of Eddie’s Father and John Sebastian wrote the theme song to Welcome Back Kotter.  With today’s explosion of high quality television on cable, streaming and even network, there would seem to be a need for equally high quality music.  That’s where we come in.  We’ve got a few choice cuts from Steve Wilson’s Sit Back, Relax & Unwind and Ray Angry One which would fit any project.  You know where to reach us with your inquiries and offers. 

Expect not expectorate

We come now to write about the value of expectations.  When you expect morality, goodness and love you have a better chance of getting them.  If you expect greed, selfishness and hate you have a better chance of getting them too.  Not wanting to expect a lot to prevent disappointment is fear-based cowardice.  Let’s hold each other and ourselves to the highest standards possible.  It’s okay to fail.  It’s not okay not to try.  JMI: why not try?



We love the idea of giving thanks.  We love the idea of a holiday not tied to religion.  We love reuniting with family, blood or chosen.  We don’t love the massacre of sentient beings for unnecessary consumption with bad environmental results. Think for yourselves this holiday;  Apparently our most popular victims will be doing the same.

Sunday morning in mid November

Everyday we keep it spontay.  

Every day we listen to musicay.  

Every day a new record steals our heart.  Every day we make a fresh start. We’re the company that doesn’t sleep.  The company you wanna keep.  The fresh vinyl sound, making the rounds, we find a home then we burrow deep.  

And then there was love

We come now not to criticize but to praise. Praise the best instincts and selfless help others give. Praise the beauty which exists in prosaic moments.  Praise the music which moves us to think, mostly about the impractical, The dreams which may be made real. Click us a line and tell us what you think.  

Hang on tightly, let go lightly

We are pleased to announce that JMI Recordings artist Ray Angry has made a deal for digital release of non-album tracks drawn from the recording session of upcoming JMI lp Ray Angry One. Although we previously discounted digital music experiences as inauthentic and degrading to true music we have had our eyes opened by the spirit and technology of the good folks at Oiids, a Norwegian company with a slick yet heartfelt Nordic approach. Oiids produced the wildly successful Esperanza Spalding project where the gifted musician (aided by Mr. Angry) created a studio album live on video over 77 consecutive hours.  The good Nords then introduced us to their application which will allow users to isolate individual elements of recordings and unique additional content which more than makes up for the lack of analog humanity. Full disclosure : the owners of this label do not see ourselves as big consumers of the Oiids product because of the exclusionary purity of our love for Lps but if digital music is your thing, Oiids is the place and we wish them a ton of success with Ray's cover of Bjork's All is Full of Love with Kendra Foster on vocals and Ray's own composition Gamma Ray, a truncated version of which will appear on Ray Angry One. To paraphrase the Talking Heads, "This ain't no streaming, this ain't no download, this ain't no fooling around". for more info. 

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What's the matter with me

What's the matter with me
I don't have much to say
Daylight sneakin' through the window
And I'm still in this all-night cafe
Walkin' to and fro beneath the moon
Out to where the trucks are rollin' slow
To sit down on this bank of sand
And watch the river flow

Wish I was back in the city
Instead of this old bank of sand
With the sun beating down over the chimney tops
And the one I love so close at hand
If I had wings and I could fly
I know where I would go
But right now I'll just sit here so contentedly
And watch the river flow

People disagreeing on all just about everything, yeah
Makes you stop and all wonder why
Why only yesterday I saw somebody on the street
Who just couldn't help but cry
Oh, this ol' river keeps on rollin', though
No matter what gets in the way and which way the wind does blow
And as long as it does I'll just sit here
And watch the river flow

People disagreeing everywhere you look
Makes you want to stop and read a book
Why only yesterday I saw somebody on the street
That was really shook
But this ol' river keeps on rollin', though
No matter what gets in the way and which way the wind does blow
And as long as it does I'll just sit here
And watch the river flow

Watch the river flow
Watchin' the river flow
Watchin' the river flow
But I'll sit down on this bank of sand
And watch the river flow

All evidence to the contrary

If you're going to get frustrated with lack of recognition your motives aren't pure enough.  Indeed the longer your efforts go unrecognized the longer opportunity you have to test your belief. It is a blessing to test yourself against hatred or even worse, apathy. The greater the illogic and conventional failure of your venture the greater achievement is its persistence.  Have a great day the JMI way, by listening to the music of your heart. 

What's the difference

Today we explore the connection between dishonesty and evil. Are all liars evil? Do some lies even qualify as good? What does any of this have to do with a record company?  If you want answers to those questions stop reading here now and look elsewhere. The only thing we can unequivocally tell you is we will always strive for truth in our products and promotions.  Truth and purity. There is no financial endgame at JMI. We want to follow our collaborative hearts to make the best products we can without regard to whether they'll sell or not and have complete faith that if we do our job and honor our passion our mission is complete. This is not meant as a knock on anyone who takes a different approach. Indeed respect for different opinions is also a core JMI value. We also explicitly acknowledge we may be colossally wrong.  But we know no other way. Or rather we're bad at every other way. Thanks for reading and we'll see you next time. Not literally though this site has no vision. It's a website dummy. 

Willie Jones III

Willie has played, toured, and recorded with Horace SilverRoy HargroveHank JonesCedar Walton, and Herbie Hancock. He played on Arturo Sandoval's Grammy-winning album Hot House (1998).

He released several albums with his group Black Note, whose members have included Ark Sano, Eric Reed, Gilbert Castellanos, James Mahone, Kenneth Crouch, Mark Shelby, and Richard E. Grant.[3]

He is appreciated by jazz musicians for his exceptional speed and control, together with his use of a wide range of textures which characterize most of his playing. He is a master of many styles and moves quickly and easily between be-bop, big band, avante guard, and Latin jazz grooves. He has regularly played with pianist Eric Reed, as the drummer for Wynton MarsalisJazz at Lincoln Center, and has several CDs released as a leader on his own label, playing hard bop and swing.

In 2000, Jones founded an independent jazz label, WJ3 Records.

On top of all this which is lifted from Wikipedia, Willie is one of he supreme gentlemen with whom we have had the pleasure of working.  He is one of those people who does his job with a minimum of fuss, admirable efficiency and incredible intelligence. We can't wait to work with him again and urge you to listen to his work on our Steve Wilson lp Sit Back, Relax & Unwind.